20 June 2016

Delicious and not nutritious - Trophy Workshop!



Yesturday we spent the day "carefully" covering and coating the most enormously well selected (thanks Zoe!) trophies in chocolate wax. Delicious and not nutritious! Darren hadn't covered a trophy in chocolate wax since Melbourne CCA in 2010. Lets just say it got MESSY and chaotic very quickly. 


We had such a brilliant time. The trophies looked incredible by the end. There are some serious gems out there. We even had to make a last minute dash to buy some extra EMERGENCY GLITTER. So we could smash it all over our faces and our trophies! Again we underestimated the power of glitter, how far it can travel, the mess it makes but most importantly THE WAY IT GETS THE PARTY STARTED - it's like the healthier version of red cordial. The Jury have it on their faces, on their chocolate covered hands ( and on their uniforms... whoops). We were getting silly in the best possible way.


A dance party started outside while the trophies were set to dry. Thank you to The Vale & Tony for letting us really, really mess up your kitchen (temporarily we hope)! And to all those who scraped every single scrap of chocolate wax off the ground (Andy, Tony, Selma, Zoe, Erica, and the Vale staff - we love you!)



08 June 2016

Red Carpet Photos // Everything By My Side

Yeow.....!

Check out these photos of the Jury on the red carpet. The first time for The Jury strut their stuff. 
























Special credit to the LIFT team for capturing offers of cartwheels, hamster crawls and struts down the carpet. 

Photo credit: Jalaikon

07 June 2016

LIFT off // CCA in London




A busy morning of workshops, working with 30 students from Northumberland Park and The Vale Schools. A quick introduction into the idea of 'social practice' art, the idea that human relationships can be material for art too. Followed by a heated discussion around what kids can and can't do, looking at why it might be time to reconsider these rules. The group raising strong arguments for being able to drive, vote and party without adults.


And then on to designing the awards and making the magnets to spruce up the VIP van, which will chauffeur the jury to each of the performances. 

Theme of the day - too much glitter is not enough. 




The jury travelled in style to their first performance EVERYTHING BY MY SIDE, by Fernando Rubio.

With Teddy on the playlist, the squad killed it with their rendition of Fetty wap's Trap Queen, with Jonathan demonstrating his insanely fantastic moves, really killing it. Who knew that these dudes know every single word of that very confusing song. Aaaaaammmmmmaaaaaaaazzzzzziiiiinnnngggg.

The full playlist:
Work - Rihanna
Hold Up - Beyonce
One Dance - Drake
Lolly - Maejor Ali ft. Juicy J, Justin Bieber
Hair - Little Mix ft Sean Paul
Where Are You Now - Justin Bieber
Desiigner - Panda 
Trap Queen - Fetty Wap


The VIP treatment continued with a red carpet entrance.
You can't escape the paparazzi anywhere these days, with lots of onlookers taking snaps.



A pre-show huddle was made to explain the intimate nature of the performance - each jury member laid with a performer outside on a bed in Canary Wharf at Adams Place. The jury were excited and slightly apprehensive to see a performance in this format, but afterwards singing high praise for seeing a show that spoke so personally and delicately to each of them.

'The show blew us away, completely lost for words'
Maria (CCA jury member). 

After the performance the Jury got to interview the creator of the show Fernando Rubio. 


The Jury were treated to a special VIP tour of the Southbank Centre where we visited the Queen's Box and were told that the queen has tons of relatives around the world who love to use it.

A fantastic first day, ending with the Jury deliberating over the show EVERYTHING BY MY SIDE. The results to be revealed at the Children's Choice Awards Ceremony on July 1st. Stayed tuned!

Follow the journey on facebook here as well. 

30 September 2014

THE WINNERS AND LOSERS 2014

photo by Stephan Glagla

On Saturday September 27, the jury gave out the awards for this year's Ruhrtriennale. 
HERE ARE THE WINNERS (AND LOSERS) !!!!
  • I Love It! - Doing Kitchen (freitagsküche)
  • Sie sollten ihre Schrauben nachziehen / They Should Tighten Their Screws - Manger (Boris Charmatz)
  • Die schlimmste Show, wo ich nicht schlafen konnte / The Worst Show Where I Couldn’t Sleep - 20 Pianos (Matthew Herbert)
  • Die Bühne ist geil / The Stage is Awesome - Neither (Morton Feldman / Samuel Beckett and Romeo Castellucci)
  • Die Nummer 1 der Tänzer / The Number 1 of the Dancers - Broken Lights (Saburo Teshigawara & Rihoko Sato)
  • Die Show, wo ich danach den Regisseur umbringen wollte UND Das grausamste Stück, das ich je sah / The Show Where I Wanted to Kill the Director After AND The Most Dreadful Piece I’ve Ever Seen - Nachtkonzert (Morton Feldman: For Philip Guston)
  • Das Schönste in dem Stück, war deine Stimme / The Most Beautiful Thing in the Show Was Your Voice - De Materie (Louis Andriessen/Heiner Goebbels)
  • Der Darsteller hat Talent / The Performer Got Talent - Fred Frith, Concert in Maschinenhaus
  • Die Show, wo Leute gearbeitet haben / The Show Where People Were Working - Eine Einstellung zur Arbeit (Antje Ehmann / Harun Farocki)
  • Die tierischste Show / Most Animalistic Show - Le Sacre du Printemps (Romeo Castellucci)
  • Es war so schön, dass wir eine Zugabe wollten / It Was So Good We Wanted an Encore - KUNSTMUSEUM (Gregor Schneider)
  • Die langweiligste Requisite / Most Boring Prop - El Triunfo de La Libertad (La Ribot)
  • Die sängerischste Show / The Most Singerish Show - Figure humaine (ChorWerk Ruhr)
  • Es war so gut, dass ich es allen erzählen musste / It Was So Good I Had to Tell Everyone - Melt (cantoni crescenti)
  • Die Show war so romantisch, dass ich jemanden küssen wollte / The Show Was So Romantic that I Wanted to Kiss Someone - Verklärte Nacht (Anne Teresa De Keersmaeker)
  • Es war so verrückt, dass ich es nicht verstanden / It Was So Crazy That I Didn’t Get It - Neither (Morton Feldman / Samuel Beckett and Romeo Castellucci)
  • Die beste Ausstattung / Best Environment - De Materie (Louis Andriessen/Heiner Goebbels)
  • Es war so hiphopmäßig, dass ich es nachmachen wollte / It Was So Hiphop That I Wanted to Do it Myself - Surrogate Cities Ruhr (Mathilde Monnier/Heiner Goebbels)
  • Die Show, die noch üben muss / The Show That Still Has to Rehearse - Fred Frith, Concert in Maschinenhaus
  • Die unbeweglichste Show / Most Immobile Show - ZEIT Forum Kultur
  • Das war die beste Kunst / It Was the Best Art - KUNSTMUSEUM (Gregor Schneider)
  • Die Show aus den 80ern / The Show From the 80’s - Concert at Jahrhunderthalle (hr-Sinfonieorchester)
  • Die Show, wegen der ich nie wieder Spaghetti essen werde / The Show Why I’m Never Eating Spaghetti Again - Sänger ohne Schatten (Boris Nikitin)
  • Die schönste Kreidebühne / Most Beautiful Chalk Stage - Surrogate Cities Ruhr (Mathilde Monnier/Heiner Goebbels)
  • Die Show mit der schönsten Hintergrundmusik / The Show with the Most Beautiful Background Music - Quatuor Ébène and Éric Le Sage
  • Die Nummer 1 der Geschichten / #1 of the Stories - Le Sacre du Printemps (Romeo Castellucci)
THE BEST OF THE BEST - KUNSTMUSEUM and Surrogate Cities Ruhr (IT'S A TIE)

and after a tie-breaking vote by the jury, the winner of THE BEST OF THE BEST OF THE BEST is....... 

KUNSTMUSEUM!!!!

Congrats to Gregor Schnieder and all the other artists in the festival!