31 October 2017

KE 2017 - RAM CAMP



The Jury got a special chance to try the RAM CAMP equipment before they saw the presentation the following day. Each of them got to try it and see what it was like to have a digital-self. Then, the presentation by Yamaguchi Center for Arts and Media [YCAM] presented RAM CAMP in Kyoto 2017 Work in Progress Presentation. 

The day started with some candy silliness that Tsukine started by giving colorful candy to Jana.







30 October 2017

KE 2017 - Takuya Murakawa: Independent Living

The second typhooooooon made our day a bit dark and wet but we had a good time watching Independent Living!!



First of all, braiding Jana's hair on the minibus...

29 October 2017

KE 2017 - Heiner Goebbels & Ensemble Modern: Black on White

We had another double show day. First, we saw Heiner Goebbel's show Black on White.
It was great seeing Heiner after doing CCA at his Ruhrtriennale for three years (2012-2014). He was very welcoming to the VIP and told us that he is curious to hear what new award he will get this time! If you want to know what kind of awards he got from the Children's Choice Awards before, check out his website. He mentions all his awards there! 🏆

27 October 2017

KE 2017 - Ryoji Ikeda& Eklekto


Today we went to the Ryoji Ikeda & Eklekto performance music for percussion. It was an exciting day of munching snacks, looking backstage, high-fiving artists, and rhythmic noise making.



Catch a peak of who's in the window...

25 October 2017

KE 2017 - Two Artist Talks (Minhee Park & Xiaoxing Sun)


We had a double date today! We talked to Minhee Park and Xiaoxing Sun about their shows. 
Finally we got some answers about those stuffed animals and Minhee's show that made the kids feel majestic. 



Sani and Riko gave us a little performance before the QnA

23 October 2017

KE 2017 - No longer GAGOK: room 5

This time everything was a bit different and special. At No longer GAGOK: room 5 by Minhee Park only one person was allowed to enter the performance at a time. So we took only 4 judges and each of them had to experience the performance by themselves. 


 Sani and Shoko on the minibus. Sani as cool as always.

22 October 2017

KE 2017 - Unverinnerlicht

Yesterday we took the jury to Unverinnerlicht by Naoka Tanaka.

Walking the red carpet. The jury is still a bit shy but we'll get there.

Lots of broken chairs on the stage.

21 October 2017

KE 2017 - Here Is the Message You Asked For...Don‘t Tell Anyone Else ;-)

Today's show was Here Is the Message You Asked For...Don't Tell Anyone Else ;-)
by Xiaoxing Sun. We were very surprised by the ending of the show and a bit overwhelmed. The jury had a hard time focusing on anything else afterwards. Was that the intention of the show?

On our way to the show we found this giant umbrella 
in front of the Kyoto Art Theater Shunjuza

KE 2017 - Researchlight Tour #2

Round 2 of the Jury viewing researchlight's SOMETHING HERE. It was a packed couple of hours with lots of singing on the minibus.




KE2017 - Researchlight Tour #1


Today the Jury travelled around Kyoto to view the Kyoto Experiment installations by researchlight, SOMETHING HERE. Two of the artists on the project joined us and explained each installation to them along the way.




18 October 2017

KE 2017 - Performance 1 - Teppei Kanuji - tower (THEATRE)

The first performance the Jury saw together was Teppei Kanuji's tower (THEATRE). They didn't know what to expect. We rolled up in VIP treatment and the Jury walked the red carpet for the first time! The performance was a very interesting fusion of sculpture, performance, music, and script. They had lots to say when the performance was over and got to interview the artist, himself.



17 October 2017

KE 2017 - THE OPENING CEREMONY!

The Festival began with a lot of excitement! I don't know which jury member wins the award for most excited. It's a tough competition. The Jury was invited to the Opening Ceremony and they certainly got noticed. They even received an official certificate recognizing them as jury members. The jury got to rub shoulders with the artists and eat lots of fancy food. Phew, what a night!



16 October 2017

KE 2017 - Final Workshop - Creating the trophies!

These kids don't have any problems with creativity. The goal was to create trophies for the winners of the awards and also make some decorations for the minibus we will be arriving to the shows in. Everyone will know we are VIP when we show up before the events in a bus covered in colour and glitter!



15 October 2017

KE 2017 - Workshop #3 - Choosing the Awards!


We had the 3rd workshop with the Kinrin Elementary School kids: deciding the award categories.  


13 October 2017

KE 2017 - Workshop #2! What Kids Can't Do



Today we ask the Kinrin Elementary School kids what they are allowed to do (and not allowed to do!).

09 October 2017

We are here! We are in Kyoto, Japan and extremely excited to meet the official VIP jury of the festival KYOTO EXPERIMENT 2017. We are going to meet the 40 judges on Wednesday at the Kinrin Elementary school, so get the red carpet ready and stay tuned!
🌟🏆🎉🌟

27 August 2016

THE WINNERS!

The show we would send into outer space so that it’s the first thing aliens see when they want to find out about humanity: Standard Life Opening Event: Deep Time 

"This show was an absolute visual delight in an incredible historic setting. I hope the aliens enjoy it as much as I did!"
- Daisy

The award for the ‘best use of paper’ goes to: Flit

"Made their entire set out of paper, made stop motion wheels out of paper, and even their animations were made out of paper…In fact, I wouldn’t be surprised if they were made out of paper…"
- Sean

The award for the dancer better than Beyoncé: Chotto Desh 

"Goes to the show that with one lone dancer and numerous mind-warping body movements managed to create a display more beautiful than most could do with 20."
- Louis

The award for the weirdest one: Shake

"A show written mostly in French with a cast of 5 and only a few beach huts as a set. However despite this, the comedy, including a few terrible doctor jokes and a cruel practical joke, still let me enjoy the show even though I had no idea what was going on most of the time."
- Jordon 

The show that made me think: The Destroyed Room 

"A show based on a photo, based on a painting. A political discussion that quickly turns into a metaphorical disaster. Walls tumble, lives are destroyed, and contestants on a televised political debate crash and burn. The characters are truly compelling, as is the concept."
- Charlotte 

The Best Costuming, Hair and Make-up: Barry Humphries' Weimar Cabaret

The show that left a lasting impression: monumental 

"The award for the show that left a lasting impression goes to a show that really resonated with me, and that’s why I’m honoured to be the one to present it.  Not only does this show capture some of the biggest struggles we face today, the combination of music, dance and projections encompasses the theme of humanity’s ignorance and resilience. To sum it up, the performance was beautifully unnerving."
- Lily 

The show I felt most lost in: Sigur Rós 

"This performance blew me away. It featured 3 performers, who created and played ethereal sounds. They experimented with different musical objects to produce monumental sounds, such as playing the electric guitar with a bow. I gazed in awe at the captivating light sequences the band played along to. I was so taken in, I didn’t flinch, or even draw a breath throughout the entire show."
- James 

The award for the show with the best set: The Toad Knew

"A show which used their set not only to create a vivid and imaginative sense of virtual reality and space but also to further the sense of surrealism, wonder and beauty brought by the talented cast."
- Louis

The award for the funniest and most serious: Alan Cumming Sings Sappy Songs

"The show that made us all laugh by telling us about Liza Minelli and her powder puff. Also for making us feel emotional by telling us another story but this time about finding his granddad."
- Ashleigh

This performance is winning the award for being the most ‘churchy': Songlines

"Although, this performance allowed the public to sing along with the choir and required no tickets, it is strong in our minds because of one reason and one reason only. Snapchat filters. If you don’t know what I mean it’s basically like taking a photo/video with a special effect that changes the way you look. This is memorable because a certain someone took a photo of a tenor singer filtered into wearing a watermelon as a hat. But I’m getting off topic, so without further ado I would like to present the award for ‘most churchy one’ to, drumroll please…"
- Marc

The award for the Judgiest Audience:  Magdalena Kožená and Malcolm Martineau 

Show that portrayed everything wrong with the 1930s, 40s , 50s etc: Così Fan Tutte

"The show that this award is going to covered some very touchy themes. Most shows wouldn’t even try to cover the themes this show covered. This show made audiences very uncomfortable, sparking controversy. The funny thing is that this show was portrayed as a comedy… this was not a comedy."
- Olivia 

The Award for the show that was sex to my ears: Berlioz's Roméo et Juliette

"Montagues and Capulets,
A story of two young lovers who tragically met.
Berlioz had lots of hoes
The Capulets always wanted a square go.
The old people smell of sweat
Definitely my favourite of them yet
Romeo looked for love that couldn’t be found
Then Juliet’s Da went
Eh naw pal
That’s no sound."
- Harry 

The award for the show with the most striking visuals: Hopelessness

"With a massive screen playing videos of various women lip-syncing to the songs being played this performance was sure to make a lasting impression."
- Emma

The award for the best playwrights: Anything That Gives Off Light  

"Dragged everyone on a journey to the states and then to the Scottish highlands. The Scottish language is not one that is easily understood but the actions that followed made it all the clearer."
- Rebecca 

The award for the show we’d most like to see recreated with cats: Orchestra dell’Accademia Nazionale di Santa Cecilia

"Because:
  1. Cats; and it’d be funny to see the cats interact with the different instruments."
- Emma

Most hottest, most buff, most shirtless, most homo-erotic  male dancers on stage: Scottish Ballet

Best Choreography: Natalia Osipova and Guests

The BEST OF THE BEST: Anything That Gives Off Light

22 August 2016

EIF 2016 - Anything That Gives Off Light

Funny that I mentioned Scottish-ness in yesterday's post for Songlines, because today we went to a show all about the idea of Scottish-ness. What is it? What even counts as Scotland? Are the Highlands, in fact, the purest form of this elusive, anguished, political, kilt-and-tartan-ed up idea of Scotland?

Well, I dunno. I'm not from here. But this question is what Anything That Gives Off Light orbits around and around for its entire two hours.

Our jury left the show with positive reactions. They found it funny and entertaining, with a political edge that reminded some of them of The Destroyed Room. Without delving into thorny problem of national identity, they found the show itself creative. The show used a minimal of props and a single setting to represent a bar, a caravan, a house in Virginia, and a croft house in quick succession. Imaginative, but also confusing to some of our jury.

After the show, we also scored a chat with the cast and two of the play's writers. The play was a collaboration between the National Theatre of Scotland and the experimental American company The TEAM (Theatre of the Emerging American Moment). The two Scots in the play were played by Scottish actors (one with the same name as his character), and same goes for the American woman. In the sense that she's also played by a real American, not in the sense that she's also, somehow, a Scottish man. Just to clear that up.

In the middle: Brian Ferguson, Sandy Grierson, Rachel Chavkin, Jessica Almasy





And what else? Two of our young jurors - Daisy and Lily - were on BBC radio today to speak about this project. Lily heroically woke up at 6am so she could rehearse and play her violin with the house band, which is pretty amazing for a Monday. Thanks to both of them!



To follow our adventures during the 2016 Edinburgh International Festival, check out more at our Instagram @JuryassicPark.

21 August 2016

EIF 2016 - Songlines

Can you believe it? Church on a Sunday? School's started already in Scotland, and here we are, asking students to come to church on a weekend. Well that's just what we have to do for Songlines, the EIF's city-wide singing event.

Something about sitting in church naturally induces an attack of the giggles, I'm afraid, which only got worse when a few of the jury using their Snapchat filters to film the poor soloist standing in front of the crowd. But the Edinburgh Gay Men's Chorus came on with their arrangement of Conchita Wurst's "Rise Like a Phoenix", which won us over (see the version they performed for the Orlando vigil here). Follow that with "Wild Mountain Thyme", and most couldn't help but join in. Even I, Chinese-Canadian from Montreal that I am, left that church feeling fifty-percent more Scottish.







To follow our adventures during the 2016 Edinburgh International Festival, check out more at our Instagram @JuryassicPark.